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Evokation
 
 
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WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A

MAZE

IN

ZAZAZA ENTER ZAZAZA

ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 =
 =
 =
 =
 =
 =
 =
 =
=
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
=
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

 

A

HISTORY OF GOD

Karen Armstrong

The God of the Mystics

Page 250

"(The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

  THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 =
 =
 =
 =
 =
 =
 =
 =
=
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
 =
=
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

4

ZERO

64

28

1

3

ONE

34
16
7
3

TWO

58
13
4
5

THREE

56
29
2
4

FOUR

60
24
6
4

FIVE

42
24
6
3

SIX

52
16
7
5

SEVEN

65
20
2
5

EIGHT

49
31
4
4

NINE

42
24
6
40
-
522
225
45
4+0
-
5+2+2
2+2+5
4+5
4
-
9
9
9

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page 72

"In the Book of the Dead nine objects affiliated with the Hieroglyph for Shem were depicted in the division paralleling the shrine of Heliopolis; / Page 73 / it could well be that there were indeed another nine space-related objects or spacecraft parts on display at the shrine."

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page 189

X

Tilmun: Land of the Rocketships

" The epic search of Gilgamesh for Immortality has undoubtedly been the fountainhead of the many tales and legends, in subsequent millenia, of kings and heroes who have likewise gone to find everlasting youth. Somewhere on Earth, Mankind's mythified memories held, there was a place where Man could join the gods, and be spared the indignity of death.
Nearly 5,000 years ago, Gilgamesh of Uruk had pleaded with Utu (Shamash):


In my city, man dies; oppressed is my heart.
Man perishes; heavy is my heart. . .
Man, the tallest, cannot stretch to Heaven. . .
O Utu,
The Land I wish to enter; be thou my ally. . .
In the place where the Shems have been raised up, Let me set up my Shem!

The Shem, we have shown, though commonly translated "Name" (that by which one is remembered), was in fact a rocketship: Enoch vanished upon his "Name" as he was taken heavenward. Half a millenium after Gilgamesh, in Egypt, King Teti made an almost identical plea:


Men fall,
They have no Name.
(O god),
Seize thou King Teti by his arms, Take thou King Teti to the sky,That he die not on Earth among men.


The goal of Gilgamesh was Tilmun, the land where the rocketships were raised up. To ask where he went to reach Tilmun, is to ask where Alexander went, deeming himself a Pharaoh and a god's son. It is to ask: Where on Earth was the Duat?
Because all these destinations, we must conclude, were one and the same."

 

 

E
=
5
4
EPIC
33
24
6
O
=
6
2
OF
21
12
3
G
=
7
9
GILGAMESH
81
45
9
-
-
18
15
Add to Reduce
135
81
18
-
-
1+8
1+5
Reduce to Deduce
1+3+5
8+1
1+8
-
-
9
6
Essence of Number
9
9
9

 

 

-
15
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
-
-
-
--
-
-
-
-
-
-
-
-
9
-
-
6
-
-
-
9
-
-
-
-
-
1
8
+
=
33
3+3
=
6
=
6
=
6
-
-
-
-
9
-
-
15
-
-
-
9
-
-
-
-
-
19
8
+
=
60
6+0
=
6
=
6
=
6
-
15
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
-
-
-
--
-
-
-
-
-
-
5
7
-
3
-
-
6
-
7
-
3
7
1
4
5
-
-
+
=
66
6+6
=
12
1+2
3
=
3
-
-
5
16
-
3
-
-
6
-
7
-
12
7
1
13
5
-
-
+
=
75
7+5
=
12
1+2
3
=
3
-
15
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
-
-
-
--
-
-
-
-
-
-
5
16
9
3
-
15
6
-
7
9
12
7
1
13
5
19
8
+
=
135
1+3+5
=
9
=
9
=
9
-
-
5
7
9
3
-
6
6
-
7
9
3
7
1
4
5
1
8
+
=
99
9+9
=
18
1+8
9
=
9
-
15
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
6
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
7
-
-
-
-
-
-
7
-
-
7
-
-
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
`-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
2
15
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
43
-
-
15
-
81
Q
36
-
1+5
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
4+3
-
-
1+5
-
8+1
-
3+6
2
6
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
7
-
-
6
-
9
Q
9
-
-
5
7
9
3
-
6
6
-
7
9
3
7
1
4
5
1
8
-
-
-
-
-
-
-
-
-
-
2
6
E
P
I
C
-
O
F
-
G
I
L
G
A
M
E
S
H
-
-
7
-
-
6
-
9
-
9

 

 

T
=
2
3
THE
33
15
6
E
=
5
4
EPIC
33
24
6
O
=
6
2
OF
21
12
3
G
=
7
9
GILGAMESH
81
45
9
-
-
20
18
Add to Reduce
168
96
24
-
-
2+0
1+8
First Total
1+6+8
9+6
2+4
-
-
2
9
Reduce to Deduce
15
15
6
-
-
-
-
Second Total
1+5
1+5
-
-
-
2
9
Essence of Number
6
6
6

 

 

9
GILGAMESH
-
-
-
-
G+I+L+G+A
36
27
9
-
M+E+S+H
45
18
9
9
GILGAMESH
81
45
18
-
-
8+1
4+5
8+1
9
GILGAMESH
9
9
9

 

 

-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
1
8
+
=
18
1+8
=
9
=
9
=
9
-
-
-
9
-
-
-
-
-
19
8
+
=
36
3+6
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
7
-
3
7
1
4
5
-
-
+
=
27
2+7
=
9
=
9
=
9
-
-
7
-
12
7
1
13
5
-
-
+
=
45
4+5
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
--
-
-
-
-
-
-
7
9
12
7
1
13
5
19
8
+
=
81
8+1
=
9
=
9
=
9
-
-
7
9
3
7
1
4
5
1
8
+
=
45
4+5
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
-
-
-
8
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
8
9
G
I
L
G
A
M
E
S
H
-
-
37
-
-
9
-
45
=
36
-
-
-
9
-
-
-
-
-
-
-
-
-
3+7
-
-
-
-
4+5
=
3+6
8
9
G
I
L
G
A
M
E
S
H
-
-
10
-
-
9
-
9
-
9
-
-
7
9
3
7
1
4
5
1
8
-
-
1+0
--
-
-
-
--
-
-
8
9
G
I
L
G
A
M
E
S
H
-
-
1
-
-
9
-
9
-
9

 

 

-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
1
8
+
=
18
1+8
=
9
=
9
=
9
-
-
-
9
-
-
-
-
-
19
8
+
=
36
3+6
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
7
-
3
7
1
4
5
-
-
+
=
27
2+7
=
9
=
9
=
9
-
-
7
-
12
7
1
13
5
-
-
+
=
45
4+5
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
7
9
12
7
1
13
5
19
8
+
=
81
8+1
=
9
=
9
=
9
-
-
7
9
3
7
1
4
5
1
8
+
=
45
4+5
=
9
=
9
=
9
-
9
G
I
L
G
A
M
E
S
H
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
7
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
-
-
-
8
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
8
9
G
I
L
G
A
M
E
S
H
-
-
37
-
-
9
-
45
=
36
-
-
-
9
-
-
-
-
-
-
-
-
-
3+7
-
-
-
-
4+5
=
3+6
8
9
G
I
L
G
A
M
E
S
H
-
-
10
-
-
9
-
9
-
9
-
-
7
9
3
7
1
4
5
1
8
-
-
1+0
--
-
-
-
--
-
-
8
9
G
I
L
G
A
M
E
S
H
-
-
1
-
-
9
-
9
-
9

 

 

9
GILGAMESH
-
-
-
-
G+I+L+G+A
36
27
9
-
M+E+S+H
45
18
9
9
GILGAMESH
81
45
18
-
-
8+1
4+5
8+1
9
GILGAMESH
9
9
9

 

 

9
GILGAMESH
-
-
-
-
G+I+L+G+A
36
27
9
-
S+H+E+M
45
18
9
9
GILGAMESH
81
45
18
-
-
8+1
4+5
8+1
9
GILGAMESH
9
9
9

 

 

9
GILGAMESH
-
-
-
-
G+I+L
28
19
1
-
G+A+M+E
26
17
8
-
S+H
27
9
9
9
GILGAMESH
81
45
9
-
-
8+1
4+5
-
9
GILGAMESH
9
9
9

 

 

9
GILGAMESH
-
-
-
-
G+L
19
10
1
-
IMAGES
54
27
9
-
H
8
8
8
9
GILGAMESH
81
45
18
-
-
8+1
4+5
1+8
9
GILGAMESH
9
9
9

 

 

9
GILGAMESH
-
-
-
-
G
7
7
7
-
I
9
9
9
-
L
12
3
3
-
G+A
8
8
8
-
M+E
18
9
9
-
S+H
27
18
9
9
GILGAMESH
81
54
45
-
-
8+1
5+4
4+5
9
GILGAMESH
9
9
9

 

 

9
GILGAMESH
81
45
9
4
MESH
45
18
9
4
SHEM
45
18
9
6
SHEMSU
85
22
4
3
HOR
41
23
5
9
SHEMSU HOR
126
45
9

 

 

"THE WORD FIRST USED FOR MAN IS LULLU"

"THE WORD FIRST USED FOR MAN IS 33333"

"THE WORD FIRST USED FOR MAN IS LULLU"

 

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-

The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...

I hereby name it Babylon, home of the great gods.

The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.

 

ENUMA ELISH
The Babylonian Creation Myth

"The word used for man is lullu"

LULLU 33333 LULLU

"The word used for man is lullu"

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6

 

 

-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
1
-
-
--
-
-
--
-
-
1
ONE
1
-
-
-
-
-
2
-
-
--
-
-
--
-
-
2
TWO
2
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
4
-
-
--
-
-
--
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
--
-
-
--
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
--
-
-
--
-
-
6
SIX
6
-
-
-
-
-
7
-
-
--
-
-
--
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
-
-
--
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
--
-
-
--
-
-
9
NINE
9
-
-
-
-
-
42
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
4+2
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

 

5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man.The same word is used about the savage Enkidu in the Gilgamesh epic ...

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6

 

 

B
=
2
-
-
BABYLONIA
-
-
-
-
-
-
-
2
B+A
3
3
3
-
-
-
-
2
B+Y
27
9
9
-
-
-
-
1
L
12
3
3
-
-
-
-
4
O+N+I+A
39
21
3
B
=
2
Q
9
BABYLONIA
81
36
18
-
-
-
-
-
-
8+1
2+3
1+8
B
=
2
Q
9
BABYLONIA
9
9
9

 

THE

LULLABY

 

-
LULLABY
-
-
-
1
L
12
3
3
1
U
21
3
3
1
L
12
3
3
1
L
12
3
3
1
A+B
3
3
3
1
Y
25
7
7
7
LULLABY
85
22
22
-
-
8+5
2+2
2+2
7
LULLABY
13
4
4
-
-
1+3
-
-
7
LULLABY
4
4
4

 

 

T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LULL
57
12
3
B
=
2
-
6
BEFORE
51
33
6
T
=
2
-
3
THE
33
15
6
S
=
1
-
5
STORM
85
22
4
-
-
10
-
21
First Total
259
97
25
-
-
1+0
-
2+1
Add to Reduce
2+5+9
9+7
2+5
-
-
1
-
3
Second Total
16
16
7
-
-
-
-
-
Reduce to Deduce
1+6
1+6
-
-
-
1
-
3
Essence of Number
7
7
7

 

 

Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Ulysses

www.victorianweb.org/authors/tennyson/ulyssestext.html

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
-
10
REMEMBERED
88
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
11
DISMEMBERED
97
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
5
RIGHT
80
35
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
3
WAY
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
D
=
4
-
3
DIE
18
18
9
-
-
-
-
-
-
-
-
-
9
-
-
53
-
52
First Total
558
270
72
-
1
2
3
4
5
6
28
16
9
-
-
5+3
-
5+2
Add to Reduce
5+5+8
2+7+0
7+2
-
-
-
-
-
-
-
2+8
1+6
-
-
-
8
-
7
Second Total
18
9
9
-
1
2
3
4
5
6
10
10
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
1+0
1+0
-
-
-
8
-
7
Essence of Number
9
9
9
-
1
2
3
4
5
6
1
1
9

 

 

INRI 9599 INRI

"INRI" is an abbreviation for the Latin "Iesus Nazarenus, Rex Iudaeorum" ("Jesus the Nazarene, King of the Jews"), posted on the cross by order of the Roman procurator, Pontius Pilate.

 

9
PTAH
-
-
-
-
P+T
36
9
9
-
A+H
9
9
9
9
PATH
45
18
18
-
-
4+5
1+8
1+8
9
PTAH
9
9
9

 

 

I

THAT

AM

THE

PATH OF PTAH

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page 78

The Gods Who Came to Planet Earth

"The interesting point about these earliest drawings is that they showed the boats arriving from a foreign land. When the drawings included people, they showed seated rowers commanded by a tall master, distinguished by the horns protruding from his helmet (Fig. 36)(figure omitted)-the mark of being a Neter.

Pictorially, then, the Egyptians affirmed from the very beginning that their gods had come to Egypt from elsewhere. This confirmed the tales of how Egypt began-that the god Ptah, having come from the south, and having found Egypt inundated, performed great works of dyking and land reclamation and made the land habitable. There was a place in Egyptian geography which they called Ta Neter- "Place/Land of the Gods." It was the narrow straits at the southern end of the Red Sea which is now called Bab-el-Mandeb; it was through that strait that the ships bearing the ensign NTR and carrying the horned gods had come to Egypt.

The Egyptian name for the Red Sea was the Sea of UR. The term Ta Ur meant the Foreign Land in the East. Henri Gauthier, who compiled the Dictionnaire des Noms Geographiques from all the place names in the hieroglyphic texts, pointed out that the hieroglyph for Ta Ur "was a symbol which designated a nautical element. . . The sign means that 'You have to go by boat, to the left side.'" Looking at the map of the ancient lands (page 19), we see that a turn leftward as one came from Egypt and passed / Page 79 / through the straits of Bab-el-Mandeb, would take the sailor along the Arabian peninsula toward the Persian Gulf.
There are more clues. Ta Ur literally meant the Land of UR, and the name Ur was not unknown. It was the birthplace of Abraham, the Hebrew patriarch. Descended of Shem, the elder son of Noah (the biblical hero of the Deluge), he was born to his father Terah at the city of Ur, in Chaldea; "and Terah took Abram his son, and Lot the son of Haran, his son's son, and Sarah his daughter-in-law, the wife of Abram; and they went forth from Ur of the Chaldees, to go into the Land of Canaan...
When archaeologists and linguists began to unravel, at the beginning of the nineteenth century, the history and written records of Egypt, Ur was unknown from any other source except the Old Testament. Chaldea, however, was known: it was the name by which the Greeks had called Babylonia, Mesopotamia's ancient kingdom.
The Greek historian Herodotus, who had visited Egypt and Babylonia in the fifth century B. C., found many similarities in the customs of the Egyptians and the Chaldeans. Describing the sacred precinct of the supreme god Bel (whom he called Jupiter Belus) in the city of Babylon, and its huge stage tower, he wrote that "on the upmost tower there is a spacious temple, and inside the temple stands a couch of unusual size, richly adorned, with a golden table by its side. There is no statue of any kind set up in the place, nor is the chamber occupied by nights by anyone but a native woman, who, as the Chaldeans, the priests of this god, affirm, is chosen for himself by the deity. . . . They also declare. . . that the god comes down in person into this chamber, and sleeps upon the couch. This is like the story of the Egyptians of what takes place in their city Thebes, where the woman always passes the night in the temple of the Theban Jupiter (Amon)." ,
The more nineteenth-century scholars learnt of Egypt, and matched the emerging historic picture with the writings of Greek and Roman historians, the more did two facts stand out: First, that Egyptian civilization and greatness were not like an isolated flower blooming in a cultural desert, but part of overall developments throughout the ancient lands. And secondly, that the biblical tales of other lands and kingdoms, of fortified cities and trade routes, of wars and treaties, of migrations and settlements-were not only true, but also accurate.
The Hittites, known for centuries only from brief mentions in the Bible, were discovered in Egyptian records as mighty adversaries of the Pharaohs. A totally unknown page of history-a pivotal battle between Egyptian armies and Hittite legions which came from Asia Minor, that had taken place at Kadesh in northern Canaan-was discovered not only in text, but also depicted pictorially on temple walls. There was even a historical personal touch, for the Pharaoh ended up marrying the daughter of the Hittite king in an effort to cement peace between them."

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page 57

". . . he journeyeth where there is no stream and where / Page 58 / there are none to tow him; he performeth this by words of power" which proceed from the mouth of a god.
As the king passes through a guarded gate into the seventh division, the gods and the surroundings lose their "underworld" aspects and begin to assume celestial affiliations. The king encounters the falcon-headed god Heru-Her-Khent, whose hieroglyphic name included the stairway symbol and who wore on his head the Celestial Disk emblem. His task is "to send the star-gods on their way and to make the constellation-goddesses go on their way." These were a group of twelve gods and twelve goddesses who were depicted with star emblems. The incantations to them were addressed to "the starry gods

who are divine in flesh, whose magical powers have come into being. . . who are united into your stars, who rise up for Ra . . .
Let your stars guide his two hands so that he may journey to the Hidden Place in peace.

In this division, there are also present two companies of gods associated with the Ben-ben, the mysterious object of Ra that was kept at his temple in the city of An (Heliopolis). They "are those who possess the mystery," guarding it inside the Het-Benben (The Ben-ben House); and eight who guard outside but also "enter unto the Hidden Object." Here there are also nine objects, set up in a row, representing the symbol Shem which hieroglyphically meant "Follower."

The king has indeed arrived in parts of the Duat associated with An, after whom Heliopolis was named. In the Ninth Hour, he sees the resting place of the twelve "Divme Rowers of the Boat of Ra," they who operate Ra's celestial "Boat of Millions of Years." In the Tenth Hour, passing through a gate, the king enters a place astir with activity. The task of the gods there is
. to provide Flame and Fire to the boat of Ra. One of the gods is called "Captain of the gods of the boat." Two others are those "Who order the course of the stars." They and other gods are depicted with one, two or three star symbols, as though showing some rank associated with the heavens.

Passing from the tenth to the eleventh division, the affinity to the heavens rapidly increases. Gods bear the Celestial Disk and star emblems. There are eight goddesses with star emblems "who have come from the abode of Ra." The king sees the "Star Lady" and the "Star Lord," and gods whose task it is to provide "power for emerging" from the Duat, "to make the Object of Ra advance to the Hidden House in the Upper Heavens."

In this place there are also gods and goddesses whose task it is to equip the king for a celestial trip "over the sky." Together with some gods he is made to enter a "serpent" inside which he is to "shed the skin" and emerge "in the form of a rejuvenated Ra." Some of the terms here employed in the texts are still not understood, but the process is clearly explained: the king, / Page 59 / having entered dressed as he came, emerges as a falcon, "equipped as a god": the king "lays down on the ground the Mshdt-garment"; he puts on his back the "Mark-garment"; he "takes his divine Shuh-vestment" and he puts on "the collar of beloved Horus" which is like "a collar on the neck of Ra." Having done all that, "the king has established himself there as a god, like them." And he tells the god who is with him: "If thou goest to Heaven, so will the king go to Heaven."

The illustrations in the ancient texts depict here a group of gods dressed in unusual garb, like tightly fitting overalls adorned with circular collar bands (Fig. 21) (figure omitted).

They are led or directed by a god with the emblem of the Celestial Disk upon his head, who stands with outstretched arms between the wings of a serpent with four human legs. Against a starry background, the god and the serpent face another serpent which, though wingless, clearly flies as it carries aloft a seated Osiris. (Fig. 22). (figure omitted).

Having been properly equipped, the king is led to an opening in the center of a semi-circular wall. He passes the hidden door. Now he moves within a tunnel which is "1300 cubits long" called "Dawn at the End." He reaches a vestibule; the emblems of the Winged Disk are seen everywhere. He encounters goddesses "who shed light upon the road of Ra" and a magical scepter representing "Seth, the Watcher."
The gods explain to the awed king:

This cavern is the broad hall of Osiris Wherein the wind is brought;
The north wind, refreshing,
Will raise thee, O king, as Osiris.

It is now the twelfth division, the final Hour of the king's subterranean journey. It is "the uttermost limit of the thick darkness." The point which he has reached is named "Mountain of the Ascent of Ra." The king looks up and is startled: the celestial boat of Ra looms in front of his eyes, in all its awesome majesty.

He has reached an object which is called "The Ascender to the Sky." Some texts suggest that Ra himself prepared the Ascender for the king, "that the king may ascend upon it to the heavens"; other texts say that the Ascender was made or set up by several other gods. It is "the Ascender which had carried Seth" heavenward. Osiris could not reach the Firmament of Heaven except by means of such an Ascender; thus the king too requires it in order to be translated, as Osiris, to eternal life.

The Ascender or Divine Ladder was not a common ladder. It was bound together by copper cables; "its sinews (like those) of the Bull of Heaven." The "uprights at its sides" were covered over tightly with a kind of "skin"; its rungs were "Shesha-hewn" (meaning unknown); and "a great support (was) placed under it by He Who binds."

Page 60 Figures 21/22/23 omitted)

Page 61

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

The Gods Who Came to Planet Earlh

Page 70
in the Sinai peninsula during the reign of the renowned Pharaoh Tut-Ankh­Amon. Decorated with scenes of people, places and objects trom the two domains of which he was viceroy, his tomb preserved to this very day a depiction in vivid colors of a rocketship: its shaft is contained in an underground silo, its upper stage with the command module is above ground (Fig. 27). The shaft is subdivided, like a multi-stage rocket. Inside its lower part, two persons attend to hoses and levers; there is a row of circular dials above them. The silo cutaway shows that it is surrounded by tubular cells for heat-exchange or some other energy-related function.
Above ground, the hemispherical base of the upper stage is clearly depicted in the color painting as scorched, as though trom a re-entry into Earth's atmosphere. The command module--Iarge enough to hold three to four persons-is conical in shape, and there are vertical "peep holes" all / Page 71 / around its bottom. The cabin is surrounded by worshippers, in a landscape of date palm trees and giraffes.

The underground chamber is decorated with leopard skins, and this provides a direct link with certain phases in the Pharaoh's Journey to Immortality. The leopard skin was the distinctive garb symbolically worn by the Shem priest as he performed the Opening 0f the Mouth ceremony. It was the distinctive garb symbolically worn by the gods who towed the Pharaoh through "The Secret Path of the Hidden Place" of the Duat-a symbolism repeated to stress the affinity between the Pharaoh's journey and the rocketship in the underground silo.

As the Pyramid Texts make clear, the Pharaoh, in his Translation into an eternal Afterlife, embarked on a journey simulating the gods. Ra and Seth, Osiris and Horus and other gods had ascended to the heavens in this manner. But, the Egyptians also believed, it was by the same Celestial Boat that the Great Gods had come down to Earth in the first place. At the city of An (Heliopolis), Egypt's oldest center of worship, the god Ptab built a special structure-a "Smithsonian Institution," if you will--wherein an actual space capsule could be viewed and revered by the people of Egypt!

The secret object-the Ben-Ben-was enshrined in the Het Benben, the "Temple of the Benben." We know from the hieroglyphic depiction of the place's name that the structure looked like a massive launch tower from within which a pointed rocket was poised skyward (Fig. 28).

The Ben-Ben was, according to the ancient Egyptians, a solid object that had actually come to Earth from the Celestial Disk. It was the "Celestial Chamber" in which the great god Ra himself had landed on Earth; the term Ben (literally: "That Which Flowed Out") conveying the combined mean­ings of"to shine" and "to shoot up in the sky."

An inscription on the stela of the Pharaoh Pi-Ankhi (per Brugsch, Dictionnaire Geographique de I'Ancienne Egypte) said thus:

The king Pi-Ankhi mounted the stairs toward the large window, in order to view the god Ra within the Ben-Ben. The king personally, standing up and being all alone, pushed apart the bolt and opened the two dom... leaves. Then he saw his father Ra in the splendid sanctuary of Het­Benben. He saw the Maad, Ra's Barge; and he saw Sektet, the Barge of the Aten.

Page 72

The shrine, we know from the ancient texts, was guarded and serviced by two groups of gods. There were those "who are outside the Het-Benben" but were allowed into the shrine's most sacred parts, for it was their task to receive the offerings from the pilgrims and bring them into the temple. The others were primarily guardians, not only of the Ben-Ben itself, but of all "the secret things of Ra which are in Het-Benben." Much as tourists nowadays flock to the Smithsonian to view, admire and even touch the actual vehicles flown in space, so did the devout Egyptians make pil­grimages to Heliopolis, to revere and pray to the Ben-Ben-probably with a religious fervor akin to that of the faithful Muslims who make pilgrimages to Mecca, there to pray at the Qa'aba (a black stone believed to be a replica of God's "Celestial Chamber").

At the shrine, there was a fountain or well, whose waters acquired a reputation for their healing powers, especially in matters of virility and fertility. The term Ben and its hieroglyphic depiction (inscription omitted) in time indeed acquired the connotations virility and reproduction; and could well have been the source of the meaning "male offspring" that Ben has in Hebrew. In addition to virility and reproduction, the shrine also acquired the attributes of rejuvenation; this in turn gave rise to the legend of the Ben bird, which the Greeks who had visited Egypt called the Phoenix. As these legend.; had it, the Phoenix was an eagle with plumage partly red and partly golden; once every 500 years, as it was about to die, it went to Heliopolis and in some manner rose again from the ashes of itself (or of its father).

Heliopolis and its healing waters remained venerated until early Christian times; local traditions claim that when Joseph and Mary escaped to Egypt with the child Jesus, they rested by the shrine's well.

The shrine at Heliopolis, Egyptian histories tell, was destroyed several times by enemy invaders. Nothing remains of it nowadays; the Ben-Ben is also gone. But it was depicted on Egyptian monuments as a conical chamber within which a god could be seen. Archaeologists have in fact found a stone scale-model of the Ben-Ben, showing a god at its open hatch­door in a gesture of welcome (Fig. 29). The true shape of the Celestial Chamber was probably accurately depicted in the tomb of Huy (Fig. 27); that modern command modules-the capsules housing the astronauts.atop rockets hips at launching, and in which they splash down back to Earth - Fig. 30 - look so similar to the Ben-Ben, is no doubt a result of similarity of purpose and function.

In the absence of the Ben-Ben itself, is there any other physical piece of evidence-and not mere drawings or scale models--left from the Heliopolitan shrine? We have noted above that according to Egyptian texts there were other secret things of Ra on display or in safekeeping at the shrine. In the Book of the Dead nine objects affiliated with the hieroglyph for Shem were depicted in the division paralleling the shrine of Heliopolis;

it could well be that there were indeed another nine space-related objects or spacecraft parts on display at the shrine.
Archaeologists may also have found a replica of one of these smaller objects. It is an oddly shaped circular object full of intricate curves and cutouts (Fig. 3Ia); it has baflled all scholars since its discovery in 1936. It is important to realize that the object was found-among other "unusual copper objects"-in the tomb of the crown prince Sabu, son of King Adjib of the First Dynasty. It is, therefore, certain that the object was placed in the tomb circa 3100 H.C. It could have been older, but certainly not more recent, than that date.

Reporting on the discoveries in northern Saqqara Oust south of the great pyramids at Gizah), Walter B. Emery (Great Tombs of the First Dynasty) described the object as a "bowl-like vessel of schist," and remarked that "No satisfactory explanation of the curious design of this object has been forthcoming." The object was carved from a solid block of schist-a rock which is very brittle and which easily splits into thin, irregular layers. If it were put to any use, it would have quickly broken apart; so the particular stone was chosen because the very unusual and delicate shape could best be carved out in such a material-a means to preserve the shape, rather than to actually use it. This has led other scholars, such as Cyril Aldred (Egypt to the End of the Old Kingdom) to conclude that the stone object "possibly imitates a form originally made in metal."

But what metal could have been used in the fourth millenium H.C. to produce the object, what process of precision grinding, what skilled metallurgists were then available to create such a delicate and structurally complex design? And, above all, for what purpose?
A technical study of the object's unique design (Fig. 3Ib) shed little light/ Page 74 / on its use or origin. "

 

 

-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
-
9
1
8
9
+
=
27
2+7
=
9
=
9
-
9
-
-
-
9
19
8
9
+
=
45
4+5
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
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-
--
-
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9
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9
-
9
-
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18
-
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18
1+8
=
9
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9
-
9
-
5
R
I
S
H
I
-
-
-
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--
-
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18
9
19
8
9
+
=
63
6+3
=
9
=
9
-
9
-
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9
9
1
8
9
+
=
36
3+6
=
9
=
9
-
9
-
5
R
I
S
H
I
T
-
-
-
-
-
-
-
-
-
-
-
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-
1
-``
-
-
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1
occurs
x
1
=
1
=
1
2
-
-
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-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
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3
-
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4
-
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4
-
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5
-
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6
-
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6
-
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7
-
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7
-
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-
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7
-
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-
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8
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
9
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
27
5
R
I
S
H
I
-
-
18
-
-
5
-
36
-
18
2+7
-
9
9
-
-
9
-
-
1+8
-
-
-
-
3+6
-
1+8
9
5
R
I
S
H
I
-
-
9
-
-
5
-
9
-
9
-
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9
9
1
8
9
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9
5
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H
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-
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9
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5
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9
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9

 

 

5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
9
1
8
9
+
=
27
2+7
=
9
=
9
-
9
-
-
9
19
8
9
+
=
45
4+5
=
9
=
9
-
9
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
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9
-
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+
=
9
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9
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9
-
9
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18
-
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+
=
18
1+8
=
9
=
9
-
9
5
R
I
S
H
I
-
-
-
-
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--
-
-
-
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18
9
19
8
9
+
=
63
6+3
=
9
=
9
-
9
-
9
9
1
8
9
+
=
36
3+6
=
9
=
9
-
9
5
R
I
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H
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T
-
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36
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18
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9
9
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9

 

 

-
7
E
L
-
A
R
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S
H
-
-
-
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--
-
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18
1+8
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9
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19
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36
3+6
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=
36
3+6
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72
7+2
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=
36
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1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
T
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
19
7
E
L
-
A
R
I
S
H
-
-
26
-
-
7
-
36
-
27
1+9
-
-
-
-
-
9
9
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
10
7
E
L
-
A
R
I
S
H
-
-
8
-
-
7
-
9
-
9
1+0
-
5
3
--
1
9
9
1
8
-
-
-
-
-
-
-
-
-
-
1
7
E
L
-
A
R
I
S
H
-
-
8
-
-
7
-
9
-
9

 

 

7
E
L
-
A
R
I
S
H
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
9
1
8
+
=
18
1+8
=
9
=
9
-
9
-
-
-
-
-
-
9
19
8
+
=
36
3+6
=
9
=
9
-
9
7
E
L
-
A
R
I
S
H
-
-
-
-
-
--
-
-
-
-
-
5
3
-
1
9
-
-
-
+
=
18
1+8
=
9
=
9
-
9
-
5
12
-
1
18
-
-
-
+
=
36
3+6
=
9
=
9
-
9
7
E
L
-
A
R
I
S
H
-
-
-
-
-
--
-
-
-
-
-
5
12
-
1
18
9
19
8
+
=
72
7+2
=
9
=
9
-
9
-
5
3
-
1
9
9
1
8
+
=
36
3+6
=
9
=
9
-
9
7
E
L
-
A
R
I
S
H
T
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-``
-
-
1
occurs
x
2
=
2
=
2
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
8
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
7
E
L
-
A
R
I
S
H
-
-
26
-
-
7
-
36
-
27
-
-
-
-
-
9
9
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
7
E
L
-
A
R
I
S
H
-
-
8
-
-
7
-
9
-
9
-
5
3
--
1
9
9
1
8
-
-
-
-
-
-
-
-
-
-
7
E
L
-
A
R
I
S
H
-
-
8
-
-
7
-
9
-
9

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page 196

Tilmun: Land of the Rocketships

"Typical to most of the peninsula are the wadis. In the south, the waters of the swift and short rainfalls drain off either eastward (to the Gulf of Elat) or (mostly) westward, into the Gulf of Suez. It is there that most of the picturesque deep canyon-like wadis with flourishing oases are found. But the bulk of the peninsula's rainwater is drained northward into the Mediterranean Sea, via the extensive Wadi EI-Arish and its myriad tributaries, that look on a map as the blood vessels of a giant heart."

Page 223

The Elusive Mount

"EL-Arish they said,was the verdant oasis of Elim: Mount Hallal was Mount Sinai."

 

 

THE STAIRWAY TO HEAVEN

BOOK

II

THE EARTH CHRONICLES

Zecharia Sitchin 1980

Page166

The Stairway to Heaven
O, how fallen from heaven art thou,
a Morning Star, son of Dawn!
Felled to the ground
is he who the nations enfeebled.
Thou didst say in thine heart
"I will ascend unto the heavens,
above the planets of El I shall raise my throne;
On the Mount of Assembly I shall sit,
on the Crest of Zaphon.
Upon the Raised Platform I shall go up,
a Lofty One I shall be!"
But nay, to the Nether World you shalt go,
down to the depths of a pit.

 

 

THE FOUNTAIN OF LIFE

Prose And Verse From The Bible

A. G. Prys-Jones 1979

Page 123

HOW ART THOU FALLEN FROM HEAVEN, O LUCIFER, SON OF THE MORNING!

 

"How art thou fallen from heaven, O Lucifer, son of the morning!

how art thou cut down to the ground, which didst weaken the nations!"

 

 

HOLY BIBLE

Scofield References

ISAIAH

C 14 V 12

"How art thou fallen from heaven, O Lucifer, son of the morning!

how art thou cut down to the ground, which didst weaken the nations!"

 

 

CATCHING THE LIGHT

Arthur Zajonc

1993

Page 44

ANGELIC LIGHT - HUMAN LIGHT

"HOW YOU HAVE FALLEN FROM HEAVEN, BRIGHT SON OF THE MORNING FELLED TO THE EARTH!"

Isaiah 14:12-15

 

 

THE DIVINE INVASION

Phillip Dick 1981

"The time you have waited for has come. The work is complete: the final world is here.

He has been transplanted and is alive."

-Mysterious voice in the night

Page 85

'What's wrong?' Elias put his arm around the boy and lifted him up to hold him. 'I've never seen you so upset.'

'He listened to that while my mother was dying!' Emmanuel stared into Elias's bearded face.

I remember, Emmanuel said to himself. I am beginning to remember who I am.

Elias said, 'What is it?' He held the boy tight.

It is happening, Emmanuel realized. At last. That was the first of the signal that I - I myself - prepared. Knowing it would eventually fire.

The two of them gazed into each other's faces. Neither the boy nor the man spoke. Trembling, Emmanuel clung to the old bearded man; he did not let himself fall.

'Do not fear,' Elias said.

'Elijah,' Emmanuel said. 'You are Elijah who comes first. Before the great and terrible day.'

Elias, holding the boy and rocking him gently, said, 'You have nothing to fear on that day.'

'But he does,' Emmanuel said. 'The Adversary whom' we hate. His time has come. I fear for him, knowing as I do, now, what is ahead.'

'Listen,' Elias said quietly.

How you have fallen from heaven, bright morning star, felled to the earth, sprawling helpless across the nations! You thought in your own mind, I will scale the heavens; I will set my throne high above the stars of God, I will sit on the mountain where the gods meet in the far recesses of the north. I will rise high above the cloud-banks and make myself like the Most High. Yet you shall be brought down to Sheol, to the depths of the abyss. Those who see you will stare at you, they will look at you and ponder. . .

Page 86

'You see?' Elias said. 'He is here. This is his place, this little world. He made it his fortress two thousand years ago, and set up a prison for the people as he did in Egypt.

For two thousand years the people have been crying and there was no response, no aid. He has them all. He thinks he is safe.'

Emmanuel, clutching the old man, began to cry.

'Still afraid?' Elias said.

Emmanuel said, 'I cry with them. I cry with my mother.

I cry with the dying dog who did not cry. I cry for them. And for Belial who fell, the bright morning star. Fell from heaven and began it all.'

And, he thought, I cry for myself. I am my mother; I am the dying dog and the suffering people, and I, he thought, am that bright morning star, too. . . even Belial; I am that and what it has become.
The old man held him fast."

 

 

AND

GOD

FORMED

HUMANKIND OF THE DUST OF THE UNIVERSE

AND

BREATHED INTO THEIR NOSTRILS

THE BREATH OF LIFE

AND

HUMANS BECAME LIVING SOULS

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ISISISISISISISISISISISIS919919919919ISISISISISISISISISISISIS

999181818181818181818AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999

122333444455555666666777777788888888999999999888888887777777666666555554444333221

999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999

PERFECT DIVINE LOVE PUREST LIVING LIGHT THAT LIGHT LIVING PUREST LOVE DIVINE PERFECT

 

 
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